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Rebekka Deubner / tempête après tempêteThe images of tempte aprs tempte were shot during Rebekka Deubners second journey to Fukushima ken, in the summer of 2019. On 03. 11. 2011 a part of the north east coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant. Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. tempte aprs tempte portrays

he underlines the absurdity of truth and objectivity in photography while playing with our reliance upon taxonomies around sexual representation

raises the question of the sun as the very condition of the image and the gaze

vanish or decay

propaganda

it is itself a work of art

a book is finite

Death is the great unknown in our lives

Her consistent and methodical way of working

discovered by Semir Osmanagich and his team

we see things or people around her

BIRDS OF A FEATHER is the result of an intense collaboration between photographer Vincen Beeckman

The game starts