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Nico Krijno / Collages 2020-2022On paper, a book may seem a peculiar object to accommodate Nico Krijnos work. By virtue of its form, a book is finite, a neat vessel that lends itself to those narratives with a beginning and end. Krijnos work, however, is not finite; it has no resolution or discernible moments that can be easily pointed at, bound and labelled. And neither does it ebb or flow in tidy rhythms but accumulates, constantly and relentlessly. If anything, Krijnos work feels

historians

Donneson constructs a rigorous inquiry into how the self is archived

By focusing on the action and detaching from the original context

Simoens wrote down Alfons’s stories and photographed him during his visits

2011 a part of the north-east-coast was impacted by three major catastrophes: a naval quake

how could it be otherwise

the images in the book are selected to compliment her latest

magic eye illusions

(Christophe Vekeman)

and for another to question how much these objects can transform or manipulate one’s identity

others don’t

In a city permeated by the cult of the sun and the counter-culture of the Beat Generation