Rebekka Deubner, tempête après tempête / Special Edition

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Rebekka Deubner, tempête après tempête / Special EditionThe images of tempte aprs tempte were shot during Rebekka Deubners second journey to Fukushima ken, in the summer of 2019. On 03. 11. 2011 a part of the north east coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant. Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. tempte aprs tempte portrays

How the photographer deals with the notion of ‘a story’ and how he portrays characters in that same story

Lantinks work refers to the practice of Andy Warhol

Some pieces bear names

Photo album meets artist’s book in a story at once original and coincidental

I’m surrounded only by gridlines

500 images—a glimpse into a vast and richly layered archive that reimagines how we see

climbed them

aircraft spotters

and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn

poses and atmospheres

the installation ‘Circular construction versus human body—referring to Toshikatsu Endo’

but also in the materiality of the various narratives of women living and creating in between cultures